David Zwirner presents a new body of work by Nate Lowman featuring shaped canvases, paintings, and works on paper, including canvases cast as keys that evoke themes of access and exclusion. Drawing from art history, news, and popular media, Lowman transforms visual signifiers into paintings, sculptures, and installations that are simultaneously critical, humorous, political, and poetic. His multimedia practice interrogates commonplace motifs, destabilizing their meanings and constructing new narratives.